大雋藝術於2026年開春首檔展覽呈獻藝術家墨白個展《褶衷：空間折疊與精神棲所》，展覽將於3月21日至5月10日舉行。在快速更迭的生活節奏下，墨白的作品以一種「澱積」的姿態，透過物理厚度和空氣流動，讓時間、感知與空間在此緩慢生成。

 

「褶衷」並非單一維度的物理折疊，而是一場介於自然遞嬗與人造秩序間的長時調節。墨白將時間壓縮成厚度，將空間不斷內縮、延展，試圖在石膏與宣紙的縫隙中，尋得一處容納記憶停留的凹槽。在此，繪畫不再是純粹虛擬的視窗，而是具備身體感知的「繪畫物件」——透過材料的剛柔對峙，墨白將視覺經驗錨定於實體層次，使作品成為一種介入空間的物質存在。

 

旅居福州、伊豆與北京的跨域經驗，賦予墨白一種對「痕跡」的細微觀察。其創作從不意圖還原建築全貌，而是選擇回到被忽略的邊角。他以拱門、窗框、階梯等古典結構作爲承接光線與氣候變化的起點，在剛硬的木質與石膏框架上，層疊柔韌宣紙。顏料在畫框內外滲透，如同窗外的日月遞嬗，任由空氣與濕氣潤澤牆面。這些陳舊痕跡，如山林河谷的迷濛霧氣，被藝術家捕捉並凝固於石膏塑形的微型世界裡。

 

創作過程中，墨白刻意將自我的存在感縮至最低——不再是主宰畫面的敘述者，而是成為時間痕跡的守候者，任由材料自身的紋理去應答氣候與光線。這種「無我」的退隱姿態，如壁龕般的內縮構造，並非為了彰顯技法，而是作為精神的避風港，存放著孤鳥、寒山與枯木。厚度、陰影與裂縫使空氣得以穿行，觀者的每一次移動與光影的瞬息變化，皆使作品從靜止轉向呼吸，成為一處暫時承載感知與情緒的精神棲所。

 

本次展覽作品不指向一個被封存的完成狀態，而是一處持續生成的棲居空間存在。當觀者放慢腳步，與作品共享同一段流動的時間，那些被折疊的情感便會在靜默之中悄然展開。誠摯邀請觀者進入這場關於棲居的詩意實驗，感受痕跡如何生成，時間如何被居住。

 

Rich Art presents its first exhibition of 2026 with artist Mobai’s solo exhibition Folded Midst: A Dwelling for Space and Spirit, on view from March 21st to May 10th. Amid the accelerated rhythms of contemporary life, Mobai’s works assume a posture of “sedimentation”, allowing time, perception, and space to slowly come into being through material density and the movement of air.

“Folded Midst” does not refer merely to a physical act of folding, but to a prolonged modulation between natural transformation and human-made order. Mobai compresses time into density, causing space to perpetually recede and extend, and to seek within the fissures of plaster and xuan paper a recess capable of holding memory in suspension. Here, painting is no longer a purely virtual window, but a corporeal “painting-object”. Through the confrontation between rigid and supple materials, she anchors visual experience into a tactile stratum, allowing the work to become a material presence that intervenes in space.

 

Having lived and worked in Fuzhou, Izu, and Beijing, Mobai’s cross-regional experiences inform a keen sensitivity to “traces”. Rather than reconstructing architectural wholes, she turns to overlooked margins—archways, window frames, staircases—as points of departure where light and climate converge. Upon solid wooden and plaster frameworks, she layers resilient sheets of xuan paper. Pigment seeps across interior and exterior surfaces, echoing the cyclical passage of sun and moon beyond the window, as air and humidity quietly saturate the walls. These aged marks—like mist drifting through mountain valleys—are captured and solidified within the artist’s plaster-formed microcosms.

 

In the creative process, Mobai deliberately minimizes the presence of the self. No longer the narrator who commands the image, she becomes instead a guardian of temporal traces, allowing the textures of materials to respond autonomously to climate and light. This retreat into “selflessness”, much like the recessed structure of a niche, is not a display of technique but a spiritual refuge—one that shelters solitary birds, cold mountains, and withered trees. Thickness, shadow, and fissure allow air to circulate; each movement of the viewer and each subtle shift of light transform the work from stillness into breath, rendering it a temporary dwelling for perception and emotion.

 

The works in this exhibition do not point toward a sealed or finalized state, but exist as continuously generating dwelling spaces. When viewers slow their pace to share the fluid time in the works, the folded emotions quietly unfold within silence. We sincerely invite you to enter this poetic experiment on dwelling, to experience how traces are formed and how time may be inhabited.

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《褶衷：空間折疊與精神棲所》墨白個展

Folded Midst: A Dwelling for Space and Spirit, Mobai Solo Exhibition

 

日期 Date｜2026.03.21（六Sat.）– 05.10（日Sun.）

時間 Time｜週二至週日11:00-19:00 (週一公休Mon. Closed)

地點Venue｜大雋藝術 Rich Art Gallery (408台中市南屯區惠文路489號)