張騰遠以幽默詼諧的繪畫語言，關注著當代人類存亡的嚴肅議題。他將時序拉往未來，在地球末日的情況下重建邏輯，讓鸚鵡人誤解著現今的狀態與時事。他的作品結合東、西方技法，像是白描、點描等。他也利用壓克力媒材特性以及繪畫形式，表現虛擬感，如同編輯動畫那般，將圖像影像化，製造出一種數位的美感。觀者常在他的作品中反覆閱讀訊息，透過發現鸚鵡人的無知與誤判，思考作品中傳達的重要課題。


Chang Teng-Yuan pays attention to serious issues of contemporary human survival with his humorous painting language. He replaces the time to the future and reconstructed the logic under the circumstances of the end of the earth, causing the Parrot people to misunderstand the current state. His works combine Eastern and Western techniques, such as line drawing and point drawing. He also uses the characteristics of acrylic media and the form of painting to express a sense of virtuality like editing animation to visualize the image to create a digital beauty. Viewers often read the messages repeatedly in his works, and through discovering the ignorance and misjudgment of the parrot people, they think about the important topics conveyed in the works.