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Johannes Holt Iversen
Johannes Holt Iversen 1989年生於丹麥哥本哈根，現居荷蘭阿姆斯特丹。
在2020年獲得荷蘭皇家藝術學院藝術學士學位之前，他曾做過丹麥藝術家與雕塑家艾利克・瑞特（Erik Rytter）的學徒，以及波爾・傑內斯（Poul Gernes）的助理。他的作品看似抽象，但總與現實世界相關，他探索光、影和反射的二重性，藉發達的人工智慧來追求其藝術實踐，目標是透過藝術創造一個與人類遠古歷史和未來連結的宇宙。通過非傳統的形式、材料和顏色，欲傳達：不僅僅作品本身重要，環境和觀眾介入藝術、產生互動的過程也是重點。
ohannes Holt Iversen (b.1989) is a Danish painter and sculptor currently located in Amsterdam, Netherlands.
He is an apprentice of Danish painter and sculptor Erik Rytter (former assistant of Poul Gernes). His works can be abstract at times but are always related to the real-world counterparts. The duality of light, shadow, and reflection is explored in Johannes's artistic practice, and now perusing his practice with innovative artificial methods, which aims to create a universe through his artistic endeavors that are connected to both the distant history and the near future of humanity. Through unconventional forms, textures, and colors, he conveys the idea that, while the figure itself is important; the surrounding area, the viewer, and even the ecology have a significant part in engaging with the artwork.
在2020年獲得荷蘭皇家藝術學院藝術學士學位之前，他曾做過丹麥藝術家與雕塑家艾利克・瑞特（Erik Rytter）的學徒，以及波爾・傑內斯（Poul Gernes）的助理。他的作品看似抽象，但總與現實世界相關，他探索光、影和反射的二重性，藉發達的人工智慧來追求其藝術實踐，目標是透過藝術創造一個與人類遠古歷史和未來連結的宇宙。通過非傳統的形式、材料和顏色，欲傳達：不僅僅作品本身重要，環境和觀眾介入藝術、產生互動的過程也是重點。
ohannes Holt Iversen (b.1989) is a Danish painter and sculptor currently located in Amsterdam, Netherlands.
He is an apprentice of Danish painter and sculptor Erik Rytter (former assistant of Poul Gernes). His works can be abstract at times but are always related to the real-world counterparts. The duality of light, shadow, and reflection is explored in Johannes's artistic practice, and now perusing his practice with innovative artificial methods, which aims to create a universe through his artistic endeavors that are connected to both the distant history and the near future of humanity. Through unconventional forms, textures, and colors, he conveys the idea that, while the figure itself is important; the surrounding area, the viewer, and even the ecology have a significant part in engaging with the artwork.
